September 1990

This Week in '90s Country



A producer who wouldn't cut Fancy, a farewell album nobody knew was a farewell, and the longest number one Alabama ever had.

1990

Her producer wouldn’t cut it because it was about a prostitute. Then she switched producers.

Reba McEntire had been asking since the mid-1980s. Bobbie Gentry’s 1969 original told the story of a teenage girl sent out of a New Orleans shack with one chance, and McEntire wanted it. Jimmy Bowen, then both her producer and the head of MCA Nashville, shut it down.

“Oh, no. You don’t need to do that. It’s about a prostitute!”Reba McEntire, recalling Jimmy Bowen, to Garden & Gun

In 1990 she had her son Shelby and a new producer: Tony Brown, who had played piano for Elvis Presley. They were nearly done with Rumor Has It when Brown asked if there was an old hit she wanted to recut. She said “Fancy.” He told her it was his favorite song.

By early September, Rumor Has It was in stores. The first single, “You Lie,” would go to number one that fall. “Fancy” stayed on the album until February, then peaked at number 8 — outside the top five, and nowhere near the size of the song it became. Taste of Country later called it her most-played catalog hit at country radio. CMT ranked her version at 27 on its 100 Greatest Country Songs. It is, by her own account, the one number her fans can count on every night.

She has never met Gentry. She has never even talked to her. Thirty years on, McEntire was still asking people who knew the recluse to pass along a message — smoke signals, she said, would be fine.

Reba McEntire — “Fancy,” written by Bobbie Gentry · Album: Rumor Has It, early September 1990 · Single peak: No. 8, 1991

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1990

The last Judds album arrived in September. Nobody knew it was the last one.

On September 11, 1990, RCA put out Love Can Build a Bridge, the sixth studio album by Naomi and Wynonna Judd. They had more than a dozen number ones and a six-year run as the CMA’s top duo. The record entered the Billboard 200 on September 29. Nothing on the sleeve said goodbye.

Naomi had been sick since New Year’s. Rolling Stone later reported she learned she had hepatitis eleven days into January, the day after her 44th birthday; the Los Angeles Times wrote that tests at the Mayo Clinic that spring found it was chronic and had gone undetected for years. She was writing anyway.

She invited Paul Overstreet to dinner and told him they had a Coca-Cola deal and a Grand Canyon video lined up — and no song. Overstreet started thinking about people standing on opposite rims. She already had a notebook of lyrics that were, in his judgment, basically finished. She took them to John Barlow Jarvis.

“I immediately heard a melody and wrote it in literally 15 minutes.”John Barlow Jarvis, to Nashville Hype

The lead single, “Born to Be Blue,” was already climbing toward number 5. The title track would also stop at 5 — rare air for a duo that had lived at number one.

Five weeks after the album hit stores, on a gray October afternoon in Nashville, Naomi told a room of reporters it was the most difficult day of her life, and that she had to retire. They sang the song on television one last time at the 2022 CMT Awards. She died nineteen days later, at 76.

The Judds — “Love Can Build a Bridge,” written by Naomi Judd, Paul Overstreet, and John Barlow Jarvis · Album: September 11, 1990 · Single peak: No. 5, 1991

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1990

Alabama’s longest number one didn’t sound like Alabama

The chart dated September 8, 1990, put Alabama at number one with “Jukebox in My Mind.” They were still there on the 15th, the 22nd, and the 29th. Four weeks — every remaining September issue of Billboard — which Billboard later listed as the longest number-one run of the band’s career.

This was the group behind “Mountain Music” and “Feels So Right,” the country-pop / southern-rock machine of the 1980s. The hat-act boom they had helped open was now the center of the format. Their last single, the title track from Pass It On Down, had stalled at number 3.

Then they dropped a quarter in a jukebox. Fiddle and steel, tight as a gospel trio, a needle hitting vinyl. Dave Gibson and Ronnie Rogers wrote it. The track starts the whole record over again, coin and all, just when it seems to be over — a memory that will not quit, played back from the top.

“…the boys of Alabama channel their inner Statler Brothers and go old-school, with their harmonies adorned with fiddle and steel that fit in perfectly with the records being made by Randy Travis and Alan Jackson at the time.”Kevin John Coyne, Country Universe

In 1991 the Academy of Country Music nominated it for both Single of the Year and Song of the Year. Both trophies went to a song that took the number-one slot the week of October 6: “Friends in Low Places.” Alabama had September. Garth Brooks had what came after.

Alabama — “Jukebox in My Mind,” written by Dave Gibson and Ronnie Rogers · No. 1 for four weeks, September 8–29, 1990

Find on YouTube Note: no durable official upload confirmed — search link used pending a better source.
On the radio

The chart

  1. 1 Jukebox in My MindAlabama
  2. 2 I Meant Every Word He SaidRicky Van Shelton
  3. 3 Friends in Low PlacesGarth Brooks
  4. 4 Holdin’ a Good HandLee Greenwood
  5. 5 I Fell in LoveCarlene Carter
  6. 6 Fourteen Minutes OldDoug Stone
  7. 7 I Could Be PersuadedThe Bellamy Brothers
  8. 8 WantedAlan Jackson
  9. 9 Drinking ChampagneGeorge Strait
  10. 10 Nothing’s NewsClint Black
  11. 11 The Battle Hymn of LoveKathy Mattea & Tim O’Brien
  12. 12 Precious ThingSteve Wariner
  13. 13 ‘Til a Tear Becomes a RoseKeith Whitley & Lorrie Morgan
  14. 14 Next to You, Next to MeShenandoah
  15. 15 Born to Be BlueThe Judds
  16. 16 You LieReba McEntire
  17. 17 Too Cold at HomeMark Chesnutt
  18. 18 Don’t Go OutTanya Tucker with T. Graham Brown
  19. 19 When I Call Your NameVince Gill
  20. 20 Story of LoveThe Desert Rose Band

Billboard Hot Country Singles & Tracks, week ending September 22, 1990. Alabama’s third week at No. 1; Garth Brooks climbing at No. 3.

Every issue

You’ve probably forgotten…

Matraca Berg — “Baby, Walk On”

1990 · RCA Nashville

0
Career No. 1s
as a singer
36
Chart peak
for this single
7
Songs with a
million radio spins

On September 25, 1990, RCA Nashville released Lying to the Moon, the debut album by a 26-year-old named Matraca Berg. The label was not taking a flyer on an unknown. Berg had already written a number one — “Faking Love,” a Karen Brooks / T. G. Sheppard duet co-written with Bobby Braddock — when she was eighteen.

Radio did not care. “Baby, Walk On,” out since June, peaked at number 36. The follow-up, “The Things You Left Undone,” went to radio on September 8 and stopped in the same place. The album itself got to 43 on the country albums chart. Producers Josh Leo and Wendy Waldman had cut it with oboe and cello sitting next to banjos and fiddles; it sounded like a bet on an artist. Country radio treated it like a writer demo that had gotten out of the building.

Then other people started singing her songs. Trisha Yearwood cut “XXX’s and OOO’s (An American Girl)” and “Wrong Side of Memphis.” Patty Loveless took “You Can Feel Bad” and “I’m That Kind of Girl.” Deana Carter wanted “Strawberry Wine” as a first single — a five-minute waltz about a Wisconsin farm and Boone’s Farm, the kind of thing labels usually bury.

“She was a friend of mine, so I was trying to talk her out of it because I wanted her to do well.”Matraca Berg, to Rolling Stone

Carter was the only artist who showed up to hear it. Everybody else had passed, Yearwood included. It went to number one and won CMA Song of the Year in 1997. The Nashville Songwriters Hall of Fame later counted seven Berg compositions that had each been broadcast more than a million times, and in 2008 it inducted her as its youngest member. The singer RCA launched that September never had a top ten. The writer owned the rest of the decade.

Matraca Berg — “Baby, Walk On,” written by Matraca Berg and Ronnie Samoset · Peak: No. 36, 1990 · Album: Lying to the Moon, September 25, 1990

Find on YouTube Note: no durable official upload confirmed — search link used pending a better source.